Freiburg .- writer and director René Pollesch, the Israeli director Avishai Milstein and the Australian choreographer Grayson Millwood and Gavin Webber swirl in March through the Theater Freiburg.
Pollesch brings his new play with us for the premiere, "What do you do well, it will not do themselves." This commissioned work for the Theater Freiburg is part of his ongoing project, (pseudo) identities and (sexual) norms of a radical to decipher first-person perspective. The premiere is on 18 March in the small house.
actor with Jewish, Muslim and Christian backgrounds come together under the direction of Avishai Milstein in Tel Aviv and play Shakespeare's The Merchant of Venice ". They explore in this production, to the relation between our cultures and religions today to one another. The premiere is on 19 March in the Great House.
Until late January, the dance company performed the piece pvc "Food Chain" at the Sydney Festival in Australia. As of 26 March is the choreographer of this evening Milwood and Webber in Freiburg to see. Food chain - the food chain - is a quirky nature scenery settled, populated by stuffed animals. It is a dance piece about the reversal of the order of things and species; an absurd experiment, creepy and fantastic.
The March program of the Theater Freiburg:
PREMIERES
PREMIERE SA. 19.3.11, 19.30 Clock, Large house
MATINEE SUN. 13.3.11, 11 clock, Winterer foyer
THE MERCHANT OF VENICE
play by William Shakespeare
come with the support of theater friends Freiburg
Jewish, Muslim and Christian actor from the Freiburg ensemble together for this production, to share with the Israeli director Avishai Milstein tell an old story new, yet to explore the question, to the relation between our cultures to each other today. "The Merchant of Venice" for this project is perhaps the most difficult, so challenging but also the text of the theater. In Shakespeare's time, in which were allowed to stay no Jews in England, marked Venice, the most important external border of Europe. The city is a center of world trade. Here meet the goods and values, nationalities, religions and languages. Trade wars and force them to search for more new capital. This is exactly what needs Venice the Jews in this place, under constant threat of expulsion, live and work. We need them and their businesses, but they are forced into a ghetto, marks her clothes and prohibited them all social intercourse with the Christians. This is the world in which meet two merchants, the Jew Shylock and the Christian Antonio. In their disputations encounter an exemplary manner the prejudices, value systems and legal views of both cultures and mingle with the personal injury and sensitivities of all concerned.
Director: Avishai Milstein / Stage: Dirk Becker / costumes: Franziska Jacobsen / Music: Sven Hofmann / drama: Josef Mackert
With: Marie Bonnet, Monica Gillette, Rebecca Klingenberg, André Benndorff, Gabriel von Berlepsch, Mathias Lodd, Orhan Müstak, Andreas Helgi Schmid, Doron Tavory, Martin Weigel
"With the series of events THE FEAR OF THE TOURIST - Do we need an enemy charge," we will in the coming months, with experts? Experts think the cultural dialogue between East and West on the complex relations between religions and cultures. We begin this series on the morning after the premiere of "Merchant of Venice", 20 March, at 11 clock, in Winterer foyer, where we Dr. Juliane Wetzel of the Centre for Research on Antisemitism at the Technical University of Berlin and the Arabists and Islamic scholar Dr. Muhammad Khallouk have the Institute of Political Theory and History of the University of Marburg to be a guest.
This series is a collaboration of theater Freiburg and Institute of Oriental Studies, University of Freiburg
PREMIERE FR. 18.3.11, 20 Clock, Small House
ALSO DOING WHAT YOU, NOT EVEN MAKE IT
piece by René Pollesch
If you say to me, you love not only my body but something internal, which is ageless, as the soul and the heart, then I ask myself why I feel this sentence is not as deeply inhumane. He is very devoted to what stands before you, the soul, becoming one of the dead. The body which common is that they are vulnerable. Nothing is included. Just look at last, what stands before you. What you see here is the soul. This is often overlooked that we are sitting right in front of the souls that are hidden behind not something that needs to be pushed away, or torn, or taken away: the body. No, this is it, and that's here at last be loved! (Throw away your ego! René Pollesch)
The Theatre of the author and director René Pollesch discussed the complicated present situation of the people above durchökonomisierten convenient criticism of capitalism and dramatic conventions, including Berlin, Stuttgart, Munich, Zurich and Vienna. Pollesch's first commission for the Theater Freiburg is part of his ongoing project, (pseudo) identities and (sexual) norms from a radical perspective, I decipher.
text and directed by René Pollesch / Stage: Chasper Bertschinger / Costumes: Svenja streets
dramaturgy: Ruth Feinstein
With: Lena Drieschner, Johanna Eiworth, Jennifer Lorenz, Charlotte Muller, Hendrik Heutz
back in the game plan in a revision
26.3.11, 20 Clock, Small House
Food Chain
Back to the Wilderness - physical theater of Millwood and Webber
Who in the deep, dark forest before the rest of civilization, or the experience expected of an authentic nature, is confronted in "Food Chain" with a new logic of things. Two headstrong Bears make their personal outdoor fantasy: an experiment on human beings of the 21st Century. The offers food, sex and children screaming that reacts good: we see a naive, their desires and instincts delivered species succumb to the desire for monstrous feelings and after transformation. Just dreaming the dream of the man from the union with nature, the next moment he is overtaken by it. To defend him remain only his hands and feet.
The two Australian, nature-based choreographer Grayson Millwood and Gavin Webber (choreographer of "Little Pig") drive a darkly comic play with human feelings and fantasies. And we, their audience, make us willing to involve in the magical pull of their pieces: that's "physical theater" in the literal sense. After a guest performance at the Sydney Festival "Food Chain" is a fundamental revision and a new cast again in Freiburg on the stage.
Choreography: Grayson Millwood, Gavin Webber / Stage & Costume: Moritz Müller / Lighting: Mark Howett / Music: Luke Smiles, Mark Teitler / Dramaturgy: Inga Schonlau
With: Kate Harman, Gabrielle Nankivell, Grayson Millwood, Tommy Noonan, Josh Thomson, Gavin Webber
CONCERTS
DI. 22.3.11, 20 clock, Konzerthaus, Rolf Bohme Saal
introduction: 19 clock, round room
5th SYMPHONY CONCERT
Gabriel Fauré: Suite from "Pelléas et Mélisande", Op 80
Edward Elgar: Cello Concerto in E minor, Opus 85
Gustav Mahler: Symphony No. 1 in D major
then echo in the foyer with Fabrice Bollon and Johannes Moser
Gabriel Fauré in 1898 in his incidental music to Maurice Maeterlinck's drama Pelléas et Mélisande "a fairy tale, based on the quiet intensity of his music is based, from the first note he is imbued with sadness. Sadness, but also humor and defiant self-assertion mark the characterful Cello Concerto, with Edward Elgar responded in 1919 at the ravages of World War II - a mix of private melancholy and symphonic giving concerts, which is in the young cello-Star Johannes Moser in good hands. The melancholia Fauré and Elgar replied in the 5th Symphony concert of Gustav Mahler Symphony nature, the "romance of the fantastic Jean Paul's novel titanium to his 1st Symphony inspired - a new, transparent, luminous music, overflowing from mysterious colors and optimistic temperament.
Conductor: Fabrice Bollon / soloist Johannes Moser (cello) / Philharmonic Orchestra of Freiburg
SO. 27.3.11, 11 clock, Winterer foyer
6th CHAMBER CONCERT
Reinhold Gliere: Duos, Op 39 (excerpts)
Zoltán Kodály: Duo Op 7
Maurice Ravel: Sonata
violin and cello, the noble singer characters of the string family form in the chamber-music a miniature ensemble of concentrated power of expression. She composers in the 20th Century stimulated again and again: the Russian late Romanticism Gliere to expressive duet, the Hungarian Zoltán Kodály to powerful folk overtones. Only Maurice Ravel typically made everything different: In memory of the admired Claude Debussy, he formulated in his Duo-Sonate a strict line game of bitter stimuli.
With: Catherine Bottomley (violin) & Juris Teichmanis (cello)
DI. 29.3.11, 19.30 Clock, Large house
MI. 30.3.11, 11 clock, big house - for schools
CONCERT FILM
CHARLIE CHAPLIN: CITY LIGHTS
With original music by Charlie Chaplin and Jose Padilla
played live by the Philharmonic Orchestra Freiburg
talkies? Which there was indeed a few years, but Charlie Chaplin was deeply against him suspicious. Moreover, he acted as if there were not the most innovative solutions. With "City Lights", filmed from 1928 to 1931, he wrote again to his "Tramp", the alter ego to fly, floor and melon, a silent movie. Today, film lovers, the romantic comedy about the tramp who plays to his blind mistress the millionaire, the best films of all time. Chaplin himself created a film music he - play several instruments, but no notes were read - from agents to implement a new score was. Only the subject of his heroine, he was hit by the composer José Padilla. Experience played live "City Lights" with Chaplin's ravishing music by the Philharmonic Orchestra Freiburg.
Conductor: Günter A. Buchwald / Philharmonic Orchestra of Freiburg
In cooperation with the Community Cinema Freiburg
HOST GAMES
FR. 11.3.11, 19.30 clock to govern big house
German Matthias Mann & Guests
ARE WE STILL?
Badischer A club night with all the consequences
WUTBÜRGER would simultaneously by a hair to the Word of the year it has. Stuttgart 21, threatened the same fate. The confusion is palpable. surrounded by crises, the economy is booming. Banks overwhelm is with bonuses and the guarantor of citizens to the speculators become. Our unloved state capital has become a symbol of civic unrest. A specter is haunting in Vorarlberg, the specter of chaos. If the Holy Heiner Geissler it can really scare? It approaches the day of the great popular vote and German Matthias Mann local and distant relatives of Stuttgart invites you to an evening of increased international understanding.
With: German Matthias Mann & Walter Mossmann, Peter Grohmann, Wolfgang Schorlau, Christine Prajon, Tobias Borke, Melitta Dingdong, Jörgen Welander »Tuba Ten," Putte, "Sax'n Tube" and others
MI. 30.3.11, 19.30 Clock, Large house
Josef Hader: Hader plays
HADER
"Hader Hader play" is nothing special. He does so all the time. Even if he plays other characters. But this time tried Josef Hader something to make what many colleagues, he normally does not: numbers play and sing in between songs. For the last five programs that are consistently closed theater evenings, parts taken out and formed into small monologues. With some fresh texts such a new program created from a single mold. And it is a new stage character: Hader as existentialist entertainer who hertreibt the audience before him, can chuckle to dead ends, and sometimes even with the audience is thinking together. It's all about himself, his audience, his technicians, the outside world, in short: the theme of man is in itself.
YOUNG THEATRE FREIBURG
SA. 5.3.11, 16 clock & SO. 6.3.11, 11 clock, workroom
THE JUNGLE BOOK 5 +
musical for children with children's choir and children's orchestra "Musikamo"
From the book of the musical with children and young people. Week after week, practice piano and violin? Piece by piece alone? Or: motivated, with a goal as a community, including an enthusiastic audience. This is Musikamo eV - drama, rhythm and improvisation of about 30 children in choir, orchestra and piano independently and creatively implemented on the stage. In addition, created the young Freiburg group of artists developed their own costumes and stage design in community work. With the Jungle Book are for the first time in the workshop as a guest.
Musical direction, arrangements & lyrics: Denise Gruber & Barbara Lenz
Scenic arrangement: Sybille thinkers / Voice Training: Kathy Mohr
DI. 15.3.11, 15 clock, Winterer foyer
CONCERT BABY 0-1
concert series for the youngest
This concert is reserved for our younger audiences: on blankets and pillows can be the small and String Duos by Bach, Paganini, Chopin, experience Gliere and others - sometimes rhythmic, lively and sometimes dreamy, gentle. Expectant parents are welcome at this concert. Sufficient stroller parking and changing tables are provided.
With: Ingo Zieman (violin), Armando Renzi (cello)
SA. 26.3.11, 16 Clock & MO. 28.3.11, 9 clock & 11 clock, workroom
The Saturday & Monday seater:
The Happy Lion 4 +
Cushion Concert series for children
In a park in the middle of town, the lion lives in his enclosure . Many people come every day past him and the lion always greet friendly. One day when the door is open to the lion enclosure, the lion can not hesitate long and is on his way to visit his friends in the city. But the people in the city are behaving very differently than in the park: You run away screaming, or even fall unconscious on the sidewalk. The lion is surprised the behavior of the people very much. He thinks and sets out to find a real friend, someone who does not like running away or swoons ... An interactive concert experience for young children. Following the presentation, the children can try out string instruments.
With: Katrina Keller (violin), Karl Heinz Mayer (Viola), Dina Fortuna (cello), Catherine
Mohr (actor)
More info: www.theater.freiburg.de
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